Wednesday, January 26, 2011

Go with the flow....Registers and Grilles

A source of confusion to many new buyers of Victorian homes is the difference between a register and a grille. Often the terms become interchangeable along with grates, air returns or covers. However there is a distinct difference of form and function between the two.
   Registers are louvered to let air flow into a room (either hot or cold). Cold air registers are usually located on walls and ceilings while hot air registers are located on the floor as heat rises. A typical Victorian or early 20th century house in Ontario would consist of many registers but usually only one return per floor.
   Grilles or returns are vents which air is pulled through to be circulated back to the central heating or cooling unit. They do not have any damper and may be located on walls, ceilings or floors.
Most modern registers or grilles from your local big box home improvement store feature function over style. Even their "decorative" examples are generally a clumsy computer generated fretwork which don't hold a candle over their 19th century versions.
   Canadian grille makers can be traced back at least to the mid-19th century. In the 1850's, John Clare of Preston, Ontario took over a factory established by John Beck. The foundry manufactured products associated with home heating-stoves, furnaces, registers, grilles etc. Eventually the company was passed on to his sons, and the "Clare Brothers" name was solidified. The company thrived and grew with the new wave of immigration and they branched out to make other domestic equipment such as stoves. The company was eventually bought out in 1999 by Carrier.
   Finding an original Clare Brothers grille might be tricky as many registers and grilles were not stamped with the manufacturer's name. However, luckily there are lovely examples of 19th century returns and registers to be found. Square and rectangular ones being the most common, large circular ones or horseshoe shapes being more rare. Patterns can include scrolls, geometric shapes or floral accents. The most common material used was cast iron, but grates made from brass, nickle and porcelain over enamel can sometimes be found.
   Even if you don't have a specific opening for a register or grille, they can be used in other methods. Fitted LED lights behind a register or grille can make a dramatic wall sconce, smaller ones can be used for trivets and more detailed and intricate ones can be treated like art and displayed on a wall or shelf. They can also be sunk into a table or garden gate to add a decorative flair. A Victorian, Art Nouveau or Art Deco style register should be appreciated much more than just an air flow vent.




Thursday, April 22, 2010

Contact Photography May 2010

It's that time again for the Contact Photography Festival May 2010. Here's what we are featuring:

THE APOTHECARY’S ASSISTANT
Grainy images of potions and elixirs from an old apothecaryʼs shop evoke a time long before modern pharmaceuticals, when herbal medicines shared the shelf with tinctures and morphine was used to treat burns and help during childbirth. The local apothecary was part medical advisor, medicinal dispenser and occasionally, surgeon and midwife. Their work with herbal and chemical ingredients in these tinctures and potions are regarded as the precursor of modern chemistry and pharmacology. Presented in frames made of retro materials salvaged from home renovations, Olena Sullivanʼs vintage imagery harmonizes with Post and Beamʼs reclaimed architectural antiques and one-of-a-kind salvaged goods. The exhibit runs from May 8-30 during the CONTACT Photography Festival.

@ POST + BEAM RECLAMATION
2869 Dundas St. W. Toronto, ON M6P 1Y9 _Tel: 416-913-4243


ABOUT OLENA SULLIVAN
Olena is a Toronto-based graphic designer and photographer with a great love for historical and industrial photography. The majority of her work explores beauty in the decay and destruction of buildings once familiar, now reclaimed by the elements. She is a founding member of the Shadow Collective – a photography collaborative devoted to the exploration and exhibition of forgotten spaces – the Hangman7 collective, photo editor for Heritage Toronto, Chair of the Programming Committee for the Hang Man Gallery, and administrator of the 12th Annual Riverdale Art Walk. This is her fourth CONTACT festival exhibit and her work has been exhibited in galleries throughout the GTA, most recently in the Building Storeys exhibit at the Gladstone Hotel. Her recent trip to Ukraine has been published in a book entitled Volatile Particles: A Photographic Journey Through Chornobyl's Exclusion Zone (blurb.com).

For more on Olena go to : http://www.photolena.ca/


Wednesday, October 21, 2009

Around the World in 500 Years

An exhibition and sale of antique maps presented by Webster's Fine Books & Maps spanning five centuries. The oldest map dates from 1493- just a year after Columbus' famous voyage to the New World! A fascinating look at world travel through the art of cartography. On display from October 30th to mid December at

Post + Beam Reclamation

2869 Dundas Street West (Dundas & Keele)

Wednesday, September 16, 2009

The Work of David Disher

The work of David Disher is now being exhibited at Post + Beam Reclamation Ltd. 2869 Dundas Street West in the Junction. David's work reflects his years of experience as an antiques dealer and shows an expression of tenderness and tranquility. His unpretentious depictions of decorative objects in familiar settings replicates his own unassuming persona...

"I paint because I like to paint and hope you like my paintings".



Irish Bowl
. Oil on Canvas. 60" x 60"

On exhibit until October 11th.

Wednesday, July 29, 2009

Breaking through the tin ceiling

Tin ceilings were all the rage in the late Victorian age. Toronto was no exception, and tin ceilings could be found in some of the more upscale residences and commercial enterprises. One of the more impressive ceilings was at the "Lakeview Hotel" in Cabbagetown (now the "Winchester Hotel"). It was featured in a trade catalogue for the "Metallic Roofing Company of Canada" which supplied metal plates, borders and cornices.


The Metallic Roofing Company of Canada began it's operation in 1884 and was the first such company in Canada. It was located at 1190-1192 King Street West. Tin ceiling tiles held enormous appeal as they were affordable, fireproof and could be decorated with custom designs. Sadly, the building fell into disrepair, but unlike many Toronto gems, it was dismantled and is presently in storage with the Ontario Heritage Trust. The façade is on display at the Ontario Heritage Trust building on Adelaide if you want to get a rare peak at a pressed metal building façade.

Wednesday, July 22, 2009

Knock Knock Who's there?


Dating back to ancient Greek times, the door knocker has evolved from the simply functional to the highly ornate and often whimsical level.

Some of the earliest English and Continental knockers were made of forged iron-a material that was relatively inexpensive and durable.

As tastes and incomes changed, so did the material and many knockers began to be manufactured out of brass and bronze. The metal castings proved to be more adaptable to different forms-urns with floral swags, animal or human heads, and popular designs of the period whether it be Colonial, Georgian, Victorian etc.

Early American knockers were often very plain, with two types available, ones with or without name plates-the plates being made of brass which were easier to engrave.

Generally the three styles include the simple ring knocker, the hammer (or pendant) knocker and the animal/figural head knocker.

There are some wonderful examples of antique, vintage and modern knockers.

One curious note, the majority of hand knockers seem to be left-handed.....